All excerpts from "Some Remarks on Humor," adapted by E.B. White from his preface to A Subtreasury of American Humor, Coward-McCann, 1941.
"The world likes humor, but it treats it patronizingly. It decorates its serious artists with laurel, and its wags with Brussels sprouts. It feels that if a thing is funny it can be presumed to be something less than great, because if it were truly great it would be wholly serious. Writers know this, and those who take their literary selves with great seriousness are at considerable pains never to associate their name with anything funny or flippant or nonsensical or 'light.' They suspect it would hurt their reputation, and they are right. Many a poet writing today signs his real name to his serious verse and a pseudonym to his comical verse, being unwilling to have the public discover him in any but a pensive and heavy moment. It is a wise precaution. (It is often a bad poet, too.)"
"I think the stature of humor must vary some with the times. The court fool in Shakespeare's day had no social standing and was no better than a lackey, but he did have some artistic standing and was listened to with considerable attention, there being a well-founded belief that he had the truth hidden somewhere about his person. Artistically he stood probably higher than the humorist of today, who has gained social position but not the ear of the mighty. (Think of the trouble the world would save itself if it would pay some attention to nonsense!) A narrative poet at court, singing of great deeds, enjoyed a higher standing than the fool and was allowed to wear fine clothes; yet I suspect that the ballad singer was more often than not a second-rate stooge, flattering his monarch lyrically, while the fool must often have been a first-rate character, giving his monarch good advice in bad puns."
But of a piece with pretty much everything the Humpolonians had to say in 2007, and most likely of a piece with the compleynts and sorrows of the fools of 1257 or 1384.